By Aura A. Quenby

Private thought and public consequence, intimacy and systems, confession and performance – they work where things are not supposed to touch. A Los Angeles–based writer, director, producer, and experimental storyteller, their work moves through original human drama into constructed worlds – digital, historical, psychological – where identity fractures and behavior reveals itself under sustained pressure.

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An award-winning playwright whose work has been performed around the globe, they are an intentional boundary crosser by design. Their projects frequently construct closed environments meant to be stressed, breached, and inhabited. With roots in standup comedy, their storytelling carries an unorthodox rhythm – timing, escalation, and silence used as tools to destabilize as much as propel. A compulsive world-builder and risk-taker, they have founded two theatre companies, directed more than a dozen plays, and toured long-form dramatic improv nationwide.

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That edge is grounded in deep industry fluency. Their background includes serving as a Writer’s Assistant to Michael Mann, a TV Development Executive, and an ICM Partners Coordinator. This dual perspective informs a practice attentive to both narrative architecture and operational reality – how stories are shaped, tested, compromised, and delivered.

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Running through the work is a long-form, epistolary impulse – voice-driven, recursive, and intimate – treating confession as structure rather than release. They are drawn to collaborators and projects willing to operate at that fault line, where formal control meets instability, and where story, performance, and production are forced to face themselves in front of everybody.